andraste: Helpful Doctor (Second Doctor)
So, this season of Doctor Who has come to an end! I thought the last episode was the weakest part of an overall good season. Complete waste of Belinda (something that was a problem with the whole season unfortunately), far too talky, climax happened much too early we spent the last twenty minutes on something that should have probably been an entire season and left a bunch of threads dangling that should probably have been resolved already. Oh well, RTD has always sucked at finales. I'm one of those people who doesn't even like The Parting of the Ways much, although I have a weird soft spot for Army of Ghosts/Doomsday largely because it pleases my fangirl heart to see the Daleks and Cybermen fight.

For this season we've got Lux, The Well, The Story & The Engine and The Interstellar Song Contest so I'd still say I loved it as a whole even though the end wasn't great. But on to the spoilery part!

I don't even know why I'm cutting when this was all over the newspaper headlines in Britain and here in Australia, but at least I can say I didn't spoil anyone ... )

Anyway, whatever happens next I await it with interest!
andraste: Oh, Pants. (Happy Death Day)
So: how about those Doctor Who specials, then? On the whole I enjoyed them, with a few reservations. Which is what I'd say about the first RTD era, come to think of it.

First of all: much as I was looking forward to Tennant and Tate returning, I was unconvinced that the Fourteenth Doctor would feel separate enough from the Tenth Doctor to justify giving him a whole number to himself. However, I am glad to have been entirely wrong about this. While of course he's got a lot in common with Ten, the performance feels distinctive enough that you can really tell that he's been three other people in between. Even if I'm still convinced that RTD really did this to make the number of Doctors line up with the number of actors after Moffat put the War Doctor into the timeline, it ended up feeling right to me.

Spoilers accidentally renamed one of the fundamental forces of the universe, oops. )
andraste: The reason half the internet imagines me as Patrick Stewart. (Default)
Candy Hearts reveals have happened, so I can now post this here!

Cabin Fever (1717 words) by Andraste
Chapters: 1/1
Fandom: Doctor Who (Comics)
Rating: General Audiences
Warnings: Creator Chose Not To Use Archive Warnings
Characters: The Sixth Doctor, Frobisher (Doctor Who)

Summary: The Doctor and Frobisher take shelter from a storm, but find more excitement than they expected.

andraste: The reason half the internet imagines me as Patrick Stewart. (Default)
I started writing this for an entirely different iteration of [community profile] halfamoon but hey, better late than never!


Paper Dolls (500 words) by Andraste
Chapters: 1/1
Fandom: Doctor Who (1963)
Rating: General Audiences
Warnings: Creator Chose Not To Use Archive Warnings
Characters: Tegan Jovanka, Nyssa of Traken
Additional Tags: Half A Moon 2023

Summary: The wardrobe room is amazing, until it isn't.

andraste: The reason half the internet imagines me as Patrick Stewart. (Default)
Continuing in my quest to get things off of my hard drive! I started writing this four or five years ago for ... uh, you know, I don't actually remember. Chocolate Box, probably? That would fit with the length, anyway.


So let us melt, and make no noise (301 words) by Andraste
Chapters: 1/1
Fandom: Doctor Who (2005)
Rating: General Audiences
Warnings: Creator Chose Not To Use Archive Warnings
Relationships: Heather/Bill Potts
Characters: Heather, Bill Potts

Summary: Wherever she goes, Heather keeps an eye on Bill.

andraste: The reason half the internet imagines me as Patrick Stewart. (Default)
It has been observed many times that while the internet may not have actually increased the number of stupid things that are said in the world each day, it has definitely made those things louder. This has had many terrible effects, but still, every now and then there is the joy of seeing someone do something so stupid that everyone in the world goes '... you what?' at the same time. In the last couple of days, that person has been Tory MP Nick Fletcher, claiming that young men are being driven to crime because there were some female Ghostbusters in 2016 and Jodie Whittaker is playing Doctor Who. The only role models left for boys are the Kray twins, apparently.

Twitter and beyond have produced many delightful responses to this - I think the last time I saw so many good news memes involved thirty to fifty feral hogs. Many of these have taken the form of sarcastic pictures of Marvel superhero posters, and it's not hard to see why. However, if Iron Man and Captain America and Hawkeye and Spider-Man and Doctor Strange and ... well, let me stop there or we'll be here all night ... aren't heroic enough and/or we're determined to confine ourselves to British television programs, there seems to be plenty of male characters in those as well. Everything from Good Omens to It's A Sin to The North Water, not to mention what seems to be an extremely steady supply of crime dramas with male leads. There's even a new version of Around the World in 80 Days coming out next year starring David Tennant!

More than ever, I am hoping that RTD does not cast another white bloke as the next Doctor. (I would happily accept a Black or Asian man, if only for the comedy value of being able to say 'see? the Doctor is a man again! You got what you wanted!' while all the same awful people continue to whine. Because you just know that Black Panther and Shang-Chi and any character played by Idris Elba mysteriously do not count on their list of good examples for young boys ...)
andraste: The reason half the internet imagines me as Patrick Stewart. (Default)
I basically enjoyed War of the Sontarans, but cannot help but agree with various people I have seen point out that this episode joins The Deadly Assassin in the list of Doctor Who episodes with redundant titles. Literally all the Sontarans do is fight an endless war! If it was called Tea Party of the Sontarans, that might have been surprising.

It occurred to me that due to its long history and rich lore, Doctor Who has all sorts of other possible titles in the same vein. May I present to you, a potential Series Fourteen:



Stompy Boots of the Cybermen

Stop Motion of the Angels

Historical Celebrity Night

The Silurians Have a Point, Actually

Doctor Who and the Somewhat Confused Allegory for a Contemporary Social Issue

Unconvincing CGI Monster Of Doom*

The Master Has An Over-Elaborate Plan That Fails When He Betrays His Allies And/Or Vice Versa

(A Bunch of Extras Are) Exterminated By The Daleks



* Made from a rediscovered script lost back in the seventies, when its working title was Bubble Wrap Of Death.
andraste: The reason half the internet imagines me as Patrick Stewart. (Default)
Stuff that has happened over the past week:

1. Local anti-vaxxer riots that involved people spitting on healthcare workers and pissing on the Shrine of Remembrance.

2. An actual earthquake.

3. RTD is returning to Doctor Who.

4. Plague continues, da capo al fine.

5. JMS is rebooting Babylon 5 on the CW?????????

I think that I am going back to bed before something else happens.
andraste: The reason half the internet imagines me as Patrick Stewart. (Default)
The Seeds of Doom is, in addition to being one of my favourite Doctor Who stories, the first one I have any conscious memory of seeing. One Saturday afternoon some time in the mid-eighties, I went to the neighbours' place and made it about ten minutes into Part Four before I was so terrified I didn't care how much the neighbour kids jeered at me for leaving the room. I refused to watch the show for a decade after this scarring experience, and would flee the room if the theme song was played. To this day, I am amazed that I managed to pick one of the scariest ten-minute blocks in the entire Hinchcliffe era to be terrified by.

On the one hand, I'm sure seeing it at a vulnerable age has a lot to do with the lasting impression it made, but on the other, even as an adult I think Keeler's transformation is among the most genuinely horrifying things in the entire show. It really feels like Robert Banks Stewart had a spare idea for The Avengers lying around when called on to write this - dangerously eccentric Harrison Chase, his hard man Scorby and morally compromised coward Arnold Keeler all feel more like Avengers characters than Doctor Who ones, and this is also the story where we get the Doctor suggesting someone's arm be cut off and the sinister compost machine. Which is not a bad thing! It makes a nice break from unofficially adapting Hammer horror films, at any rate, and the result is definitely memorable.

In particular, it's one of Sarah Jane Smith's very best appearances, and maybe the only time she really fulfils her promise of being an overtly feminist character. The scenes were she's braver and cleverer than the hardened mercenary who is rapidly falling apart under the threat of the towering alien menace are some of her greatest moments.

More than that, though, I just love the terrifying Krynoid and wish we'd see more of them. On TV. The spin-offs have done some interesting stuff with them, but now that CGI is cheap we could see giant plants menace so many things!!! Not to mention traumatising whole new generations of children.
andraste: The reason half the internet imagines me as Patrick Stewart. (Default)
Take Tonight by Andraste
Fandom: Doctor Who (2005)
Rating: General Audiences
Warnings: Creator Chose Not To Use Archive Warnings
Relationships: The Doctor/River Song
Characters: Tenth Doctor, Eleventh Doctor, Twelfth Doctor, River Song
Additional Tags: Fanvids, Embedded Video, Download Available

Summary:

Maybe it isn't the wrong order after all.

andraste: Oh, Pants. (Happy Death Day)
I thought about doing a post on Revolution of the Daleks, but I am already tired of talking about Doctor Who episodes I did not like very much. It was nice to see Jack again I guess?

In any case: why bother with that when there's so many stories I do like! This time on my very intermittent top twenty-five countdown: a creepy eighties hotel that abducts people and feeds their faith to a Minotaur, and also some other very normal Doctor Who things.

Birds and heights and movie credits, crowds and puppets, dying in a fire ... )
andraste: The reason half the internet imagines me as Patrick Stewart. (Default)
Since the new series came back, it's made an art of the big, bombastic finale - fourteen of them in all, if we count The End of the World and The Time of the Doctor, and they certainly fit the bill. While there's several I truly enjoy, only one of them is my favourite story of the entire season it concludes.

There's just so many things I love in this two-parter. One more timey-wimey plot! Properly scary Cybermen! Moffatt indulging himself to establish that all of their spin-off media origin stories are true at once! (I may have punched the air when the Doctor mentioned Planet 14 and the Voord. Take that, people who don't think the comic strip counts!)

The part I do not love is - look, there is a reason the planned Twitter rewatch of this got cancelled, because it would have been spectacularly poorly-timed to talk about this story while Black Lives Matter protests were going on everywhere. I know Moffatt didn't mean what happens to Bill to come across That Way. Any more than he meant it That Way when the other major black character who appeared during his era was also killed and turned into a Cyberman. Any more than RTD meant it That Way when the Master forced Martha's family to dress up as maids just a few episodes after she'd been forced to dress up as a maid. Any more than Chibnall meant it That Way when Grace was killed off in the first episode of his run so other people could be sad about it. But, you know, that doesn't actually change the fact that Doctor Who has a long history of treating the bodies and lives of its black characters in racist and unpleasant ways and I really hope it's actually stopped now. It would be nice if Ryan did not die and/or get turned into a Cyberman in his last appearance, is what I'm saying. (Also I guess he should not dress up as a maid, but somehow I don't think it would come across the same way if he did.)

At least the whole thing is ameliorated a bit by Bill using her Cyber-powers to save the day and by joining Clara in travelling the universe with her immortal girlfriend by the end. (Please, Big Finish, get Clara and Me and Bill and Heather in the same story. Maybe Clara and Me have also broken up by now and Clara and Bill can kiss???)

Now onto the glowing review of everything else about this episode. )
andraste: The reason half the internet imagines me as Patrick Stewart. (Default)
To get the elephant (or, rather, the unconvincing giant snake) in the room out of the way first: Kinda is not a good-looking Doctor Who story even by the standards of the moment it was created it. The Kinda costumes are terrible, many of the props are rubbish, they absolutely did not get away with the jungle set where you can see the studio floor, and the Mara is one of the least special effects in the entire history of the series. (Which is saying something. It does not help that Adric exclaims 'it's fantastic!' when he sees it.) It also spends several minutes awkwardly shoving Nyssa off-stage with technobabble because of contract negotiations behind the scenes. (Although at least that means we get the delightful Todd in the effective companion roll, since Tegan is asleep and/or possessed most of the time and Adric is too busy being a little shit.)

All problems aside Kinda has got something that redeems all its flaws: ideas. Great big lovely piles of them stacked all the way up to the ceiling. Not all of the ideas are good ones - it could just as easily be called Planet of the Noble Savages, and the gender essentialism is wince-inducing here in 2020. But in terms of Doctor Who stories that use the show's format to actually be ABOUT something, it has few rivals.

Going through these stories in order of favourite-ness throws up some interesting thematic parallels: last time it was Satan, now we get the serpent and the apples. But the Mara is lifted from Hinduism, the 'people' Tegan meets in the dreamscape from Buddhism (they're named in the credits as Dukkha, Anicca and Anatta) and there's a whole scoop of shamanism in here as well. And pop anthropology. And everything that had been said about colonialism since circa. 1947. And British sitcoms like It Ain't Half Hot Mum and Dad's Army. And Star Trek. And The Word For World Is Forest. And lots and lots and lots of New Wave music videos. (A popular fan theory at one point was that Christopher Bailey was actually Kate Bush. Which almost makes sense when you think about it.) Most of all it's about human psychology, identity, the separation between self and other.

That all of this somehow falls together into a coherent Doctor Who story says something about how flexible the program is, not only on the level of its endlessly revolving settings and periodically revolving cast but also on the level of the kind of stuff you can shove in the story box and still have it work. The saddest thing about Kinda isn't the terrible snake effect or the fact that you can see the studio electrical cables at more than one point, it's that so few other Doctor Who stories are this brave.
andraste: The reason half the internet imagines me as Patrick Stewart. (Default)
(I am spoiler cutting this so you can go and watch it now. Well worth thirteen minutes of your time. Plus however long it takes you to stop crying.)

And now a list of the most important Sarah-Jane-related facts we learned today. )
andraste: Helpful Doctor (Second Doctor)
Throughout Doctor Who history, there have been stories that weren't actually written by the people who end up in the credits - and not just because they were sometimes credited as fictional entities like Robin Bland and David Agnew. Fandom scuttlebutt has it that The Impossible Planet/The Satan Pit is one of these, and assuming it's accurate in this case, it's one of my five favourite things Russell T. Davies ever wrote for the franchise [1].

There are a lot of stories in Doctor Who about groups of humans going out into space and finding Sealed Evil In A Can when they get there, and what really sets this one apart is the attention given to the humans, not the nature of the Evil. (It turns out that the actual Devil is creepy and effective Doctor Who monster, but when you get down to it it's still not as scary as the gas mask zombies, the Weeping Angels or whatever the thing in Midnight was.) But the important thing is that it gives the crew of the Sanctuary Base, the Doctor and Rose something to do while they're having character development.

One of the reasons I'm inclined to believe the theory that Davies wrote most of this is that he has a real gift for giving supporting characters life with just a couple of lines, and that's certainly on display here. We don't find out why Jefferson's wife never forgave him, what Danny lied about or why Ida ran from her father, and we don't actually need to - the point is that they feel like people. The supporting cast give a great set of performances - Danny Webb and Claire Rushbrook in particular are excellent.

There's so many other elements to love here, too. It's packed full of striking visuals, from the Beast in Toby's body standing on the planet's surface to the gorgeously designed Ood. It's got a beautifully designed set that really feels lived in. (Even if those gratings contribute to the bit where Commander Cross Flane has to move the oxygen around not making much sense.) I also think this might be my favourite episode score Murray Gold ever did on the show, which is saying a lot given just how much music he contributed over the years.

Not everything is perfect - the story's treatment of the Ood is eventually addressed in Series Four, but it still leaves a bad taste in the mouth despite Commander Cross Flane ending the story by declaring each of them dead with honour. And that just draws attention to another problem with the story, the two nameless guards who seemingly exist only so the Ood can kill a couple of people early on. They never get back-stories or any kind of eulogy, which sticks out all the more in a story that gives so much room an depth to the guest cast. Also, all these years later the CGI Beast doesn't really hold up. Not just because of its age, but because by going for 'iconic' they sort of landed on 'boring and clichéd.' Possessed Toby is definitely the better half of that monster.

I'm not a Doctor/Rose person, really, but I do think that this two-parter really shows that relationship at its best. From the conversation about how they're going to settle down and get jobs and houses now their trapped to the helmet kiss to Rose's '... and even if he was, how could I leave him?' when the Sanctuary Base crew tell her the Doctor is dead. And I know some people hated the 'I believe in her' bit and thought it just fed into the tedious idea that Rose was the Most Special companion, but I've always though the point was that he'd have said that about any of them. To me it's a wonderful call back to The Curse of Fenric, where the thing that keeps the Haemovores at bay for him is murmuring the names of his friends.

The scene where Ida and the Doctor talk about belief while she lowers him into the abyss is an absolutely iconic Doctor Who moment for me, and I love that they Doctor's ultimate answer to that question will always be the people they travel with.

[1] We'll be getting to two of the others later in this Top 25, but not Damaged Goods because it's a novel, or Torchwood: Children of Earth because it is Torchwood.
andraste: The reason half the internet imagines me as Patrick Stewart. (Default)
... or, alternately: 'the one where Ace kills an evil clown with a laser death robot and nobody really comments.' (I mean, the clown richly deserves it. But I feel like it says something about the tone of this story that everyone who survived the circus has a body count at the end of it. Except technically Kingpin, I guess, but the whole thing is his fault and he should feel bad.)

Anyway, Stephen Wyatt only wrote two stories for Doctor Who: Paradise Towers and The Greatest Show in the Galaxy. While they have quite a lot in common in some ways, in others they couldn't be more different. I always find the two a fascinating contrast in how much production can make a script look better or worse. I have a huge soft spot for Paradise Towers and will argue forever that it's a GREAT script, but one of the most interesting things about it is that just about everything that could have gone wrong with it did. While there are a couple of great performances (from the delightful cannabalistic rezzies) the casting in general went awry from the beginning. The Kangs are too old, the guards are too young (they were meant to be Dad's Army types to explain why they weren't away at the war) and the usually excellent Richard Briers made some, er, eccentric choices when it came to portraying the Chief Caretaker. Meanwhile, the robot monsters were terrible, the lighting was worse and the less said about the awful score the better.

With The Greatest Show in the Galaxy, things couldn't have been more different. Even the stuff that went wrong behind the scenes made what showed up on the screen better. There's no way it would have looked this good if they'd shot it in a studio as planned, instead of in an actual tent in a studio parking lot. (There was asbestos removal going on at the BBC television centre time, hence the abrupt shift to a far more convincing venue.) And while I'm sorry the effects department nearly blew up Sylvester McCoy, the over-enthusiastic explosion gave us what may be the best shot of the Seventh Doctor ever.

It's one of those delightfully juicy Seventh Doctor stories where there are layers of things going on, in both the text and the subtext. I once saw it summarised as 'we hate our jobs, we hate our audience, we hate our fans, we hate ourselves' and there's certainly some biting commentary about Doctor Who itself going on here. I admit it, Whizzkid's lines about the posters and 'I know it's not as good as it used to be, but I'm still terribly interested!' crack me up every time. All of that ends up working even better in hindsight in light of the show's imminent cancellation. And then even better again twenty-two years later now that it's turned out the Doctor survived that experience, too.

But of course that's not the only way of reading this - there's a lot of musing about hippie ideals and selling out and it's no accident that the Gods of Ragnarok choose to look the way they do or that Captain Cook wanders around a lot of places saying disparaging things about foreigners and wearing a pith helmet. Semiotic thickness indeed!

This is my favourite performance from McCoy in the role. (Well, maybe my second favourite if you could the BBV audio Punchline. But he is officially playing some completely different character that travels though time and space in a police box in that one, so maybe it doesn't count.) While he had to be taught the actual tricks, his career as a stage performer gives him the perfect background to pull off those scenes in Episode Four. And of course Ace is great as always, on another adventure where the Doctor takes her somewhere she hates and makes her confront her fears. "This thing better work or I'll kick it's head in!" in is a definitive Ace line.

It's also lovely revisiting this after listening to some of the recent Big Finish adventures where the Doctor meets up with Mags again - she always felt like one of those characters that could have been a companion if things had gone a bit differently, and I'm glad that the audio people were finally able to make it so after all these years. (Which reminds me that I still have a few of her audio adventures to catch up on ...)

And if for nothing else, I would love this story for the best bit of background business in Doctor Who: the robot clown that puts its hand over its mouth in shock when the Doctor calls Cook a crushing bore.
andraste: The reason half the internet imagines me as Patrick Stewart. (Default)
So now that Season Twelve has concluded, I've decided it's time to take a trip back to other Doctors and earlier TARDIS teams with some of my favourite stories! I've been meaning to do a top twenty-five rewatch for aaaaaaages, and it seems like there's going to be quite a gap between now and Season Thirteen so it's as good a time as any.

In order to compare apples with apples (or at least apple cake with apple pie) I am only going over TV stories here, which is helping to keep the list nice and short. And also only actual Doctor Who, no other shows that share its universe. Maybe some other time I'll do a full top fifty with Children of Earth and Alien Bodies and Spare Parts and The Flood and all that other good stuff, but not right now. This also means I'm missing a few Doctors entirely, since I think all of Six's best appearances are in the spin-off material and the TV movie barely counts as a story, let alone one of my twenty-five favourites. Thirteen is also not here, because I always find it difficult to place stories among my favourites when I don't know their context within the era as a whole. There's every chance Haunting of the Villa Diodati will make this list at some point in the future, but not right now.

With all of that out of the way, and counting upwards, the first thing to make the cut is: Blink!

(This post contains no actual spoilers for The Timeless Children but I do mention my feelings about it, so if that's a thing you're avoiding be aware.)

There are also actual spoilers for Blink. But if you have not watched it in the past thirteen years you probably are not clicking on this cut right now or even reading a post with 'Doctor Who' in the title. I hope you are having a nice Tuesday. )
andraste: The reason half the internet imagines me as Patrick Stewart. (Default)
So after being ambivalent about Spyfall, hating Orphan 55, loving Nikola Tesla's Night of Terror and Fugitive of the Judoon I thought that Praxeus and Can You Hear Me? were ... OK? Full of interesting ideas but a bit over-crowded in way that didn't quite come together for me. Some day, I suspect that I am going to be saying that about this era as a whole.

But! I really liked this one!

Back up a bit. )

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