andraste: From colour stills of 'The Aztecs'. (Barbara as Yetaxa)
[personal profile] andraste
I may have cried quite a lot at that, although it was mostly happy crying. It was everything I wanted a Neil Gaiman episode of Doctor Who to be.



I think this summed it up for me:

"She's the TARDIS, and she's a woman!"

"Did you wish really hard?"

... because it's both hilarious and sad when you think about it. They really are married, and the look on the Doctor's face when she's saying hello and he realises this is the last actual conversation they're ever going to have is heartbreaking. The episode really captures the fairytale feeling of Moffat's Who; Gaiman really is the perfect writer for this kind of thing.

I can't convey how delighted I am that it's now canon that the TARDIS stole a Time Lord and ran away because she wanted to see the universe, and that she always takes him where he needs to be. (This has been the only explanation for most of his adventures for almost fifty years now, but it's nice to have it spelled out.)

I also squealed a lot over the white telepathic cubes - I knew Gaiman was a Troughton fan, and it's lovely to see those again after all this time! I also want lots and lots of extended universe stories about the Corsair now. Big Finish need to get on that yesterday. And of course the other thing I'm over the moon to have canonized is Time Lords switching sex when they regenerate!
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andraste: The reason half the internet imagines me as Patrick Stewart. (Default)
Andraste

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